THE MON is the name of  the solo project by Urlo, best known as the lead vocalist, bassist, and synth player in the heavy psych italian band Ufomammut and one of the three minds behind the poster art trio Malleus Rock Art Lab.
Where Ufomammut creates mind-expanding, heavy psychedelic, almost other-dimensional sounds,  THE MON by comparison is far more intimate, looking inward, as Urlo explores and examines his inner most thoughts through music.
THE MON builds layers of brooding sounds which sometimes unfurl at a glacial pace and other times lurch with rhythmic propulsion, each piece distinct, densely packed, and all-consuming in their evocative atmospheres.
The aim of THE MON is to reach the boundaries of a spiritual soundscape in which the music becomes purification and atonement, a way to bring out the world that is inside human soul.
THE MON  is a journey through the mind and a personal discovery of the relation between evil and good.
That starts from the name THE MON (to be kept together) – like ‘Demon,’ but also like ‘the Monk” or, in Japanese language ” gate” (often used in referring to the many gates used by Buddhist temples, Shinto shrines and traditional-style buildings and castles) — to reach landscapes of sound that enable the listener to enter into different levels of consciousness in a cathartic way.
The first album of The Mon “DOPPELLEBEN” has been released in 2018 by Supernatural Cat, record label of the Malleus Rock Art Lab of which Urlo is one of the founders.
In the past years, The Mon published as a digital track and videoclip  different new songs and an EP featuring  CHVE.
EYE is the second album of The Mon and it’s more introspective and dense, built around electronic soundscapes and acoustic atmospheres that take you on a sonic journey where the songs flow non-stop into each other.
The album features some special guests:
Steve Von Till (Neurosis) and Colin H. Van Eeckhout (Amenra), authors of the lyrics and voices in “Confession” and “To the Ones”, Sarah Pendleton (Subrosa, The Otolith) and David W. (White Hills) who have embellished some songs with textures of violins and guitars.
If we want to close the album into a genre, we could consider it as Heavy Dark Folk Electronic.